The cones of the bass drivers are made from Dynaudio’s famous single-piece thermoplastic cone (which Dynaudio calls MSP, for Magnesium Silicate Polymer) where the dustcap is moulded in one piece with the cone, and the roll surrounds are made from rubber, which is a much more durable material than the foam that’s often used for the purpose. Sound: 9/10 Value: 9/10. Dynaudio is a Danish loudspeaker manufacturer based in Denmark. They’ve been steadily improving that design through the years. These are drivers that they’ve been manufacturing for a long time. For decades they also supplied OEM parts, namely the drivers they design and build to other high-end companies. Microsoft pledges update to fix Xbox Series X controller issue, Best 55-inch TVs 2021: smart, 4K, HDR and OLED TVs, Sony teases new microLED displays on YouTube ahead of CES 2021 reveal, Google Pixel smartphones get fresh audio visual upgrades in January update. Whether it’s a home theater, music, great recordings, mediocre recordings, rock-and-roll, and jazz, etc., it handles it all pretty well. More importantly, it would be difficult to see that the inner dome had been damaged by a customer in the first place. Please refresh the page and try again. There’s nothing wrong with that at all. Unlike many such recordings, not only are the two musicians in perfect musical balance with each other, but the sounds of their two instruments are also perfectly balanced one against the other, something that’s enormously difficult to do with two instruments that produce their sounds so differently as the piano and the violin, due not only to the differences in acoustic size, but in the method of sound creation (i.e., vibration vs. percussion). The first is that the impedance of the Dynaudio Evoke 50 remains at or significantly below 4Ω from around 75Hz right up to 700Hz, so this speaker will require your amplifier to deliver some fairly serious current, as well as voltage. Bath We have a set of five-way binding posts.eval(ez_write_tag([[250,250],'hifireport_com-medrectangle-4','ezslot_4',133,'0','0']));eval(ez_write_tag([[250,250],'hifireport_com-medrectangle-4','ezslot_5',133,'0','1'])); About the accessories, these speakers come with some standard black grills. The Core have newer drive units and is closer to the performance of the Evoke, but slightly less resolution and lots of … The bottom-most notes are stringily tangible, and you’re never left wondering about pitch, even for the most briefly-struck keys. The sonorities Hardy creates with his 1793 Guadagnini are ear-opening: the warmth of the instrument is exceptional, yet never so warm that you can’t hear the perfection of his vibrato. Their treble, I would say, is inherently smooth sounding. Of course, you can also get a somewhat bright sound out of these speakers. For the very few products used in its speakers that Dynaudio does not manufacture in-house, such as the capacitors and resistors used in its crossovers, for example, this Danish company is so large that it derives enormous benefits from the economies of scale. The Evoke range comprises two standmounts (Evoke 10 and 20), two floorstanders (Evoke 30 and 50) and a centre speaker (Evoke 25c). These are very well made and nice looking in piano black. The tweeter uses Dynaudio’s newly developed Hexis built-in dome, making the details in the music clearer. I love the fact that it also integrates so well with the tweeter. After years of experience of reviewing loudspeakers and being somewhat familiar with Dynaudio speakers in particular, I was expecting the stand-out feature of the Dynaudio Evoke 50s would be their midrange sound. Here’s a brief history of the brand. Emotionally, their stuff usually leaves me a little bit dry, partially because I feel like the sound has always had this dry characteristic. Obviously, this meant that vocal were particularly well-delivered, and for both male and female vocalists. Put a pair of floorstanders in your living room and even the least ‘hi-fi’ person in the world will know you mean business. Dynamic output for something that has a slightly rich and laid back sound is outstanding. 1 year ago After many speaker demos my wife and I pulled the trigger on the Dynaudio Evoke 50. When it comes to equipment matching, the good news is that they are effortless to work with, and they’re also very transparent. The section of the trace above 900Hz is the gated high-frequency response of the speaker, without the grille fitted. Put a pair of Evoke 30 floorstanders in there and they’ll also know you have taste. First, let me summarize the experiences that I’ve had with other Dynaudio products. You’re likely already familiar with the principle of Doppler distortion, which describes how the speed of an object affects its perceived pitch. You can see that without the bung, peak output is a bit above 40Hz, itself just a bit above the bass drivers’ minima at 38Hz. This means that instead of hearing a 1,000Hz tone, we will actually hear 1,020Hz as the cone moves towards us and 1,980Hz when it’s moving away. I wouldn’t call it clinical, just dry. Others gave them rave after rave. Like all new Evoke models, it features Dynaudio’s new 28mm Cerotar tweeter with the new Hexis inner dome. A lot of small speakers have this dip in the upper mid-range. As is becoming increasingly common these days, Dynaudio provides soft foam plugs, or ‘bungs’ with the Evoke 50. but in the particular case of the Dynaudio Evoke 50, its unique double-dome structure would make such a repair challenging, to say the least. As I have already pointed out, the front baffle of the Dynaudio Evoke 50’s cabinet is only 215mm across, which is relatively narrow (which is not only cosmetically desirable, but has the advantage of improving dispersion from all the drivers) so you will be intrigued to hear that the rear of the cabinet is only 185mm across, meaning that the cabinet tapers in width from front to back so that the side walls are not parallel, a trick that inhibits the production of standing waves inside the cabinet. Dynaudio's Evoke 20 is a full-size stand-mounted speaker designed to excel in almost any size space. They’re kind of in-between. The 15cm unit they chose is derived directly from the high-end Contour range – which means a powerful neodymium magnet, a 0.4mm-thin diaphragm and a glass-fibre voice-coil former with a trademark Dynaudio aluminium voice-coil. Let’s talk about the dynamic output. The port is 100mm in diameter and 200mm long. Nobody has posted a review yet in this language Rate it # 16 other products in the same category: Quick view Harbeth Monitor 40.2 Loudspeakers. The Dynaudio Evoke series features five hi-fi speakers with Danish timeless housing design that treasures the high-quality features and technology referenced from their top range models. Secondly although Dynaudio specifies minimum impedance as being 3Ω at 100Hz, Newport Test Labs shows that minimum impedance of its test sample was a little lower again, at 2.8Ω (at 100Hz). Hifireport.com is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking hifireport.com to Amazon properties.Additionally, hifireport.com participates in various other affiliate programs, and we sometimes get a commission for purchases made through our links in this website. That strong V curve is not going to be for everybody. Fabulous sound, with super-extended, effortless bass, superb midrange and transparent highs, along with stereo imaging to die for. Sensitivity: 88 dB. Dynaudio Confidence/Evoke series. I feel like the tone is pleasant and very easy to listen to in the near field environment. BA1 1UA. But for most of you, 60 to 80 watts or more is where you’re going to want to be. True to the goal, it does a great job of getting out of the way of itself. Dynaudio’s new Evoke 50 loudspeakers sound ‘way bigger than they have any right to sound, given the relatively small size of the speaker enclosures, and that’s got to be great news for anyone with an average-sized room, or even a small room, who’s ever despaired about being able to buy speakers that would not dominate their décor. It provides exactly the right combination of lightness, stiffness and damping to balance the needs of powerful yet precise bass performance with clear, detailed midrange. Af udseende er Evoke 20 umiskendeligt Dynaudio, men med mere afrundede hjørner end på tidligere serier. Which is the more desirable outcome will depend not only on your room and where the speakers are positioned in that room, but also on the type of music you most often listen to. The foam port plugs do not come pre-installed, so if you want to use them, you’ll need to remove them from their protective zip-lock plastic bags and press them into the port tubes. Visit our corporate site. So I would say that you’ll be good to go at your height or slightly lower in the sweet spot. If the speakers have been set up correctly, nothing will change: the performers will stay exactly in their positions and the soundstage will remain fixed in place, unaltered in width, height or depth (and you’ll hear plenty of each). They al… It’s interesting, but at this frequency the midrange driver has well and truly taken over delivering the sound, as you can see from the green trace. The Evoke series took trickle-down tech from their higher-end lines and packaged it into something a little bit more affordable. If you use both plugs, you effectively turn the speaker into a sealed enclosure. It can handle crescendos pretty well, which will be great news for people who love classical like me. Another thing I like about the treble beyond just the usual audiophile stuff is spatial separation. Only one that I don’t think will affect anyone who’s looking at buying a pair of Dynaudio Evoke 50s, which is that to make the bass delivery truly lifelike and the midrange really sing, you’re going to need an amplifier that will happily drive low-impedance loads, preferably right down to 2Ω. The important thing is that you will find that the violin’s treble does not feel harsh, but the shape is precise and dense. I’ve come to find that you don’t want them too high above your ears, though. But nor are they super laid-back either. (Foam surrounds tend to rot, particularly when exposed to ultraviolet light, of which there’s a lot in Australia!) They just unveiled this new warranty program to where they increase the warranty to eight years if you register the product through them. Turning this speaker around, we’re going to have this lovely curved cabinet and a walnut veneer. It’s very important to note that one thing all the drivers fitted to the Evoke 50 have in common is that they are all designed and manufactured ‘in-house’ by Dynaudio itself. This review and test originally appeared in Australian Hi-Fi magazine, one of What Hi-Fi?’s sister titles from Down Under. So, as I said before I digressed to make that very important point, I was fully expecting the midrange of the Dynaudio Evoke 50 to be the stand-out sonic feature of the design. May 2019 (98%) 11 Reviews. They have been in business since the late 1970s. I love that connectivity and get the sense that Dynaudio really cares about their workmanship as I hefted the speakers in place. On the top, we are going to have a 28mm coated soft dome tweeter. For mild bass reduction, fit only the outer foam ring by sliding it in the port tube so that it sits just inside the flared port exit—making sure it retains its shape to minimise airflow turbulence. Yet there’s just enough richness to the tone to give the sound body, some weight, some density. Of course midrange isn’t the sole domain of the human voice, and the midrange sound was also clearly superior when reproducing violin, guitar… essentially any instrument playing in the three octaves above middle C. Check any orchestral instrument frequency range chart and you’ll discover that there are a lot of them! As you can see from the photographs accompanying this review, the Evoke 50 has two bass drivers, each with an overall diameter of 185mm, a moving diameter of 120mm and a Thiele/Small diameter of 115mm. And, just in case you were wondering, you can safely play music while the pucks are attached… just don’t expect to hear any high frequencies! Nothing much to report here. Number one, these are small speakers. The ‘Hexis’ geometry Dynaudio developed specially for its Esotar3 tweeter—as used on the company’s Confidence range—is now fitted to the latest Dynaudio Evoke 50. You can have them a little bit below your ears, and that’ll be fine. To the point where the Evoke 10 can borderline change their entire character depending on the kind of gear that you use. There’s also some richness to the character that helps make for an engaging listening experience. So how is the Evoke 10’s performance? The LYD have older units more similar to the old Excite. And that midrange driver is a newly-developed model with an overall diameter of 150mm, a moving diameter (that is, the diameter of the cone and roll surround) of 120mm and a Thiele/Small diameter of 115mm. Thank you for signing up to What Hi-Fi?. Click here for more information about Australian Hi-Fi, including details on how to subscribe. Lastly, the impedance is fairly high at very low frequencies, and above 700Hz essentially continues to rise, so the Dynaudio Evoke 50 should be compatible with all modern Class-D amplifier designs, as well as conventional Class-AB designs. You can see for yourself that the response is marginally smoother and more linear without the grille, though the differences are barely significant. Dynaudio's 25th-anniversary Special Twenty-Five ($5200/pair) was previewed by John Marks in his January 2003 The Fifth Element" column, with a very positive Follow-Up review from me in June 2005. This is because the train whistle’s sound waves are compressed when the train is approaching our listening position and ‘stretched out’ when it’s departing our position. This product is sold through many dealers, especially in North America, that offer up to sixty-day money-back guarantee trial periods. This two-way design pairs the 28mm Cerotar tweeter and Hexis with an 18cm long-throw woofer. The section of the trace below 900Hz is the averaged result of nine individual frequency sweeps measured at a distance of three metres, with the central grid point of the microphone on-axis with the tweeter, so one measurement is made with the mic aimed directly at the tweeter, another with the mic higher, another with it lower, another with it off to one side, another with it off to the other, and so on, until nine traces have been acquired, after which they’re averaged via post-processing. The 15cm unit they chose is derived directly from the high-end Contour range – which means a powerful neodymium magnet, a 0.4mm-thin diaphragm, and a glass-fiber voice-coil former with a trademark Dynaudio aluminum voice-coil. And as you can imagine, this features trickle-down tech from their higher-end models. Pedants with sharp eyes might point out that the trace is actually a little below the –3dB envelope between 42Hz and 52Hz, but the magnitude of the variation and the measurement variabilities at these frequencies mean that we can safely ignore this to arrive at the ‘overall’ response stated. If you need to place these speakers against a wall boundary, but you still value a quick and articulate base, all you have to do is take the supplied plug, put it in the port, and there you go. 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